review: Der Körper Nach dem Exzcess │ Kunstmagazin PARNASS (print edition)
feature: Art as a Means to Love │ Whitehot Magazine
art fair: Contemporary Isanbul 2026 │ FAD Magazine
feature: hab(t) euch lieb │ Kunstmagazin PARNASS
feature: A not-so-comprehensive Guide to A Week of Art in Berlin │ FAD Magazine
interview: Sophia Süßmilch on Performance, Rage, and Politics of the Body │ FAD Magazine
essay: Through the Looking Glass of Public Health: Another Wonderland │ UP Magazine
essay: Ingrid Wiener and the Afterlife of Textile Art │ FAD Magazine
review: Florentina Holzinger Turns Spectacle into an Act of Care │ FAD Magazine
review: This is Patti Smith in Vienna. │ FAD Magazine
review: Florentina Holzingers Pfingstspiel │ Kunstmagazin PARNASS
essay + book review: More Than Meets the Eye │ Nka Journal of Contemporary African Art (print edition)
review: Mayday, May Day! Gallery Weekend Berlin 2026 │ FAD Magazine
art fair: CI BLOOM Istanbul: An Emerging Fair in a Decentred Art World │ FAD Magazine
review: John Giorno, Please Hold For: a Poem │ Whitehot Magazine
essay: Weaving Beyond Extraction: Tingting Xiao and the Politics of Textile Thinking │ Naked Snail Magazine
review: Klara Lidén and the Unmaking of Street Art │ UP Magazine
interview: Thomias Radin: Echoes of Ka at Esther Schipper │ FAD Magazine
interview: In Conversation with Jean Katambayi Mukwendi │ Naked Snail Magazine
feature: Drunk on Discourse: Mirja Busch’s Theory Distillates │ Whitehot Magazine
feature: Doppelgängers and Berlin Bins: On Originality in Contemporary Art │ Naked Snail Magazine
review: Disobedient Objects: John Armleder’s Carte Blanche at MAH Geneva │ UP Magazine
art fair: 10 to See at Art Geneva │ Whitehot Magazine
review: Transmediale 2026: Mapping the Hidden Politics of Networks at CANK Neukölln │ FAD
book review: Kunst im Krieg, Kulturpolitik als Militarisierung │ Das Argument
feature: Pierre Huyghe: Liminals at Halle am Berghain │ Naked Snail Magazine
review: Pension ABC at CFA Berlin Turns Temporary Living into a Seductive Instability │ FAD Magazine
feature: Fondation Opale presents ROOTS │ FAD Magazine
interview: ENCORE(S) at MAMCO Geneva: John M. Armleder │ FAD Magazine
feature: History & Fantasy: Kara Walker’s Redrawing of (American) Myth │ Naked Snail Magazine
feature: Arson Suspected at London Kabinett Gallery │ FAD Magazine
review: More Than Meets the Eye │ FAD Magazine
feature: Do Ho Suh and the Power of Small Things │ Naked Snail Magazine
review: Off Piste: Finding Gaza at the Folkestone Triennial │ Naked Snail Magazine
feature: 5 to See at Berlin Art Week 2025 │ FAD Magazine
book review: The Art of War (no, not that one) │ Naked Snail Magazine
feature: 10 To See at the RA Summer Show │ FAD Magazine
review: Mario García Torres: A History of Influence at Fridericianum │ FAD Magazine
review: Hermann Nitsch: The Orgies Mysteries Theatre │ FAD Magazine
feature + book review: The Shape of a Circle in the Mind of a Fish │ FAD Magazine
review: La Genevoise: Carte Blanche to Carole Bove │ FAD Magazine
architectural feature: Sexy on a Shoestring: Berlin’s KW reopens │ FAD Magazine
review: Antonio Obá Rituals of Care │ FAD Magazine
art fair: 10 At Art Genève 2025 Chosen by Camille Moreno │ FAD Magazine
review: Jakkai Siributr’s IDP Story Cloth at Flowers Gallery │ FAD Magazine
review: Dream On — Berlin in the 90s│ FAD Magazine
art fair: 10 To See at Art Basel Miami Beach│ FAD Magazine
art fair: 10 To See at Art Miami │ FAD Magazine
art fair: 10 To See at Art Cologne │ FAD Magazine
review: Michael Craig-Martin at the Royal Academy of Arts │ FAD Magazine
review: Christian Holze: The Most Boring Artist I Know │ FAD Magazine
review: Metamphsychosis at Schinkel Pavillon │ FAD Magazine
review: Yoko Ono’s Music of the Mind Feels like a Regressive Rollercoaster │ FAD Magazine
architectural feature: Guiding Light │ Mix Interiors Magazine, Issue No. 232
interview: Yinka Shonibare at Serpentine │ FAD Magazine
essay: Insiders Everywhere │ Naked Snail Magazine
review: Soft Power at DAS MINSK │ FAD Magazine
review: When Forms Come Alive │ FAD Magazine
feature: 10 Signs You Might be an Architect │ Levitt Bernstein Architects
essay: Is Leisure a Luxury? │ Naked Snail Magazine
review: Andy Warhol: The Joseph Beuys Portraits │ FAD Magazine
review: Re/Sisters: A Lens on Gender and Ecology Review │ FAD Magazine
feature: A portrait of Two Girls at Frieze Masters 2023 │ Naked Snail Magazine
review: Marina Abromović Institute Takeover │ Naked Snail Magazine
review: Paul McCarthy: Them As Was Is │ FAD Magazine
feature: Let’s Talk About Drugs │ Naked Snail Magazine
architectural feature: Beyond the White Cube: Three Architectural Epiphanies at Art Basel │ Naked Snail Magazine
interview: Signals, Signs, & Meme Machines: Cem A. │ Naked Snail Magazine
feature: Rosemarie Trockel at MMK │ Naked Snail Magazine
feature: You, Me, and Everyone We Know │ Naked Snail Magazine
essay: Friezefication and Big Curation │ Sotheby’s Institute of Art
review: Colour Chronicles: Milton Avery at The Royal Academy │ Made in Bed Magazine
review: Louise Bourgeois: The Woven Child │ Made in Bed Magazine
feature: Come for the Art, Stay for the Bento. Symbiosis: Living Island at Japan House │ Made in Bed Magazine
interview: The Business of Public Space │ Made in Bed Magazine
feature: Standing with Ukraine: A Tribute to Maria Prymachenko │ Made in Bed Magazine
review: Hacking the Highstreet, Georgia Dymock │ Made in Bed Magazine
feature: Forecast Berlin: Lightning with a Chance of Sea Change │ Made in Bed Magazine
essay: Places of Pigeons and Prosperity │ Sotheby’s Institute of Art
review: The Collaboration Young Vic Theatre Andy Warhol and Jean-Michel Basquiat │ Made in Bed Magazine
review: Butcher, Bike, Banana” Olivia Bax, Homerange │ Made in Bed Magazine
interview: David Williams-Ellis │ Made in Bed Magazine
essay: The Circus, The Freakshow, The Art Fair │ Goldsmiths University London
feature: You Are Not Alone │ Goldsmiths University London
interview: Céline Poulin │Exberliner Magazine
feature: Has the Autumn of Art Lost its Edge? │ Exberliner Magazine
feature: Otto in the Sky │ Exberliner Magazine (print issue 129)
feature: Gallery Weekend Berlin | Exberliner (print issue 127)
feature: The Biennale Bounces Back │ Exberliner Magazine
feature: Artist to Watch: Kristina Schuldt │ Exberliner Magazine (print issue 124)
interview: Unknown Photographers: Interview with Andrés Galeano │ Exberliner Magazine (print issue 124)
feature: Artist to Watch: Stephan Fähler│Exberliner Magazine (print issue 123)
feature: Underground but Safe, El Segundo │ Exberliner Magazine
feature: Picasso Pubcrawl │ Exberliner Magazine
interview: Anselm Franke, After Year Zero: Africa Since WWII │ Exberliner Magazine (print issue 120)
interview: “Konstantine Schneider, “My head is the tripod” │ Exberliner Magazine
feature: In the Name of Reefa │ Exberliner Magazine
interview: Stephan Jung │ Exberliner Magazine (print issue 119)
interview: Trust is all there is with Anish Kapoor │ Exberliner Magazine (print issue 118)
feature: Art is the Drug │ Exberliner Magazine (print issue 117)
feature: Martin Kippenberger: Sehr Gut Indeed │ Exberliner Magazine (print issue 115)
contributor: Getting Out: Your Guide to Leaving America, Revised and Expanded Edition (Process Self-Reliance Series, 2) │ Mark Ehrman (print)
